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Boston Branch, Royal Scottish Country Dance Society presents its
17th Annual Concert of Scottish Music and DanceSaturday, November 13, 2010 at 3 and 7:30 PMNational Heritage Museum 33 Marrett Rd., Lexington MA 02421 Information: 617-903-3379; [email protected] Advance reservations suggested
Ticket prices range from $22 to $27
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The Performers
From driving reels and passionate strathspeys to lilting jigs, melancholy Gaelic airs, and elegant 18th-century minuets, Laura Risk's fiddling takes you on a rich journey through the diverse repertoires of traditional Scottish fiddling. Her expressive, versatile playing is described by filmmaker Ken Burns as 'a revelation and achingly beautiful.'
Originally from California, Laura grew up in the San Francisco Scottish fiddle scene, learning her craft from master fiddler Alasdair Fraser. She has toured extensively as a soloist and as a member of numerous bands (Triptych, Greenfire, Ensemble Galilei, The John Whelan Band, Cordelia's Dad, Quebecosse), performing at venues such as the Newport, Philadelphia, and Winnipeg Folk Festivals; Celtic Connections and the Shetland Fiddle Frenzy in Scotland; and Celtic Colours in Cape Breton.
Laura has over ten albums to her credit, including her latest release 2000 Miles, on which she teams up with some of Quebec's hottest traditional and jazz musicians for a new take on tunes from the great Scottish collections of the 18th and 19th centuries. Says Living Tradition, 'Laura plays in a powerful, percussive style, with tight control and beautiful tone but bursting with energy and passion, turning reels into romps and slow airs into soul-searches.' Laura's debut CD Celtic Dialogue explored the traditional/classical crossover repertoire of early and mid-eighteenth century Scotland and was named one of the Boston Globe's 'Top Ten CDs of 1999.'
Known as a inspirational teacher, Laura has taught fiddling at numerous summer camps and was an Instructor of Fiddling for five years at Wellesley College, where she founded the college's first Celtic music ensemble.
A multi-instrumentalist and dancer, Neil Pearlman is emerging as one of the traditional music scene's most innovative young artists. Legendary Cape Breton fiddler Jerry Holland said that 'watching Neil's hands on the piano is like watching two spiders on crack!' His piano style seamlessly blends Cape Breton traditions with jazz harmony and funk/rock grooves. The result is an exciting new sound that remains true to its traditional roots. An accomplished Cape Breton step dancer and mandolinist as well, Neil grew up in the family band Highland Soles and has performed with many of the best musicians on the traditional music scene today, including Natalie MacMaster, Alasdair Fraser, Seamus Connolly, Kimberley Fraser, Abby Newton, Frank Ferrel, Maeve Gilchrist, Mike Vass, and his father, fiddler Ed Pearlman. He has also been a musician for English-Scottish Session at Pinewoods Camp.
In 2008, Neil and Ed released the album On the Edge to acclaim from musicians, producers, and others across the traditional music scene. Some highlights of Neil's career so far have been performances at Carnegie Hall and the Iron Horse, and teaching at Alasdair Fraser's Sierra Fiddle Camp. Neil currently performs with a number of groups ranging from traditional Scottish fiddle music to contemporary jazz. He spends the rest of his time working on a degree in English literature at Columbia University.
The New Hampshire School of Scottish Arts (NHSSA) Pipes and Drums Band was formed in 2002 and has grown to 55 active members. It sponsors two competitive bands (Grades 4 and 5), and its goal is to create a family of pipe bands in which players of all levels will find a welcoming and challenging musical home. The band is co-directed by Lezlie Webster and Pipe Major Gordon Webster, former piper to Her Majesty Queen Elizabeth II. The band consists of players from the New England area, many of whom take lessons at NHSSA in Manchester, NH.
Campbell Webster
Highland Dancing Near Me
Lezlie and Gordon's fourteen-year-old son Campbell is currently the top Grade 3 piper in the Northeast and one of the top pipers in the country for his age group. He appeared with Laura Risk in the 2009 Scottish Revels and plays gigs on his own and with his family and the NHSSA Pipes and Drums. He regularly plays for Highland dance competitions and will be at the Montreal Games in August 2010. A multi-instrumentalist, Campbell plays Highland pipes, smallpipes, and pennywhistle. He was recently awarded a NH State Arts Council Apprenticeship to further his development as a drummer -- and he also studies fiddle with Barbara McOwen!
New England Youth Fiddle Orchestra
In this age of iPods and music downloads, thanks to the inspiring teachers of the Boston Harbor Fiddle School, such as Barbara McOwen, and others from the NHSSA, there is a thriving community of young New Englanders who would rather play Scottish fiddle music than plug-in! Some of them dance as well as fiddle. We are delighted to feature a group of these enthusiastic and gifted young fiddlers to our stage. They are the virtuosos of tomorrow.
The Branch Demonstration Team, under the direction of Andrea Taylor-Blenis with the administrative help of Karen Sollins, dances at private celebrations, festivals, and town fairs around New England. It performs at the New Hampshire Highland Games, the New England Folk Festival, the Boston Celtic Music Festival, as well as at our November concert. Its goal is to present original medleys of traditional dances, choreographed for energy, elegance, and audience appeal and to encourage others to share the joy of Scottish country dancing. Jen Schoonover will be arranging the Demonstration Team's choreography for this year's concert. Jen has created dance and theater works for groups in Boston, New York City, Cape Cod, and Philadelphia. She is a founding member of Highland Dance Boston and is co-director of Turnstyles Dance Project, an experimental dance group that fuses modern and traditional dance.
Artistic Director: Lezlie Webster
Lezlie Webster has over 25 years' experience promoting and educating people in the traditions of Scottish culture, specializing in music and dance. She has successfully established Scottish cultural groups in Canada, New England, and Britain, and her Highland students have achieved top levels in the United States and Scotland. She has served as a judge for both piping and Highland dance. Her piping is in demand for Scottish balls (especially with the group The Pipes Awa', live and on their CD) as well as for Highland Games and other festivities. With her husband, Pipe Major Gordon Webster, she co-directs the New Hampshire School of Scottish Arts in Manchester, NH. Among many other accomplishments, she established and led the Boston Police Pipe Band and the St. Andrew's Ladies Pipe Band. This is her second time directing our annual concert.
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